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Deadlines

26 November 2018
Beyond the Console: Gender and Narrative Games

February 8-9, 2019
V&A and London South Bank University
London, UK


November 30, 2018
ISEA  papers, panels, posters (ISEA Symposium)

June 22 - 28, 2019
Gwangju, South Korea

December 31, 2018
NEW MEDIA ART XYZ

Submissions as Drawings (read call)
publication edited by Garnet Hertz

January 15, 2019
SIGGRAPH 2019 Long Art Papers

July 28 - August 1, 2019
Los Angeles, CA USA

January 29, 2019
SIGGRAPH 2019 Art Gallery

July 28 - August 1, 2019
Los Angeles, CA USA

January 29, 2019
SIGGRAPH 2019 Short Art Papers

July 28 - August 1, 2019
Los Angeles, CA USA

January 14, 2019
EVA London Conference 2019

proposals for paper, demonstration, combined paper with demonstration, panel session, workshop
July 8 - 11, 2019
London, UK

January 31, 2019
xCoAx 2019: 7th International Conference on Computation,Communication, Aesthetics and X

Milan, Italy
July 3-5, 2019

February 5th, 2019, 11:59 PM (UTC)
ACM Creativity and Cognition 2019
(multiple deadlines follow)

San Diego, CA USA
June 23-26, 2019

DID YOU EVER HAVE WORK IN A SIGGRAPH TRAVELING ART SHOW?

If you still are looking for your TAS work email morie@siggraph.org

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HISTORY HISTORY HISTORY

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Click here!
Much thanks to Copper Giloth for putting this together and sharing!

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Deadlines

Started by Cynthia Beth Rubin in Hot Topics Aug 18. 0 Replies

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Digital Arts Page on the ACM-SIGGRAPH site

ACM SIGGRAPH DAC Description

Mission of the Digital Arts Community Committee

To foster year-round engagement and dialogue within the digital, electronic, computational and media arts. Facilitate dynamic scholarship and creative programming within the ACM SIGGRAPH organization. Promote collaboration between artists and the larger computer graphics and interactive techniques community.

DAC Committee

ACM SIGGRAPH Digital Arts Community Committee:
Victoria Szabo, Chair
Jim Demmers,  Sue Gollifer, Kathy Rae Huffman, John Hyatt, Bonnie Mitchell, Hye Yeon Nam, Derick Ostrenko, Jan Searleman, Ruth West.

Events

Last night I went to the closing reception in addition to the local film festival. In fact it was more or less an obligation but also a sign of mutual respect, always late at night, people talking to, or most of the time beyond, one another. 

Nevertheless, it was the night where again I felt myself utterly alone. Not with the people, however, whom I quite often know quite well. But the context, it was a film festival, and then this whole atmosphere of almost passionate cinematographic excitement, and I? 

I was again walking in a dessert, like in my younger days the Saharan dessert. By then going up north in a lorry, driven by a former French officer and his mistress, or a daughter of his first mistress and who cares? She sat with the wheel and got it all terribly wrong and us, deeply stuck in the sand. A moment where, let alone the forty to fifty degrees centigrade, smile at least is a little bit frozen, dig the thing out and of course, find a possible way to go? 

What you do under such circumstances, it is to read the landscape, very carefully. Eventually, it is a small cairn or a line of stones, people who have been there beforehand. Or sometimes only a hole in a line of stones that leads into maybe another line of stones, sandstorms is rather frequent and therefore it changes all the time. And that luckily we found our way out, but also that, mentally seen, I’ve been there ever since. 

Because what is after all, life, other than day after day, year after year, basically seen it is always the same and then for us to admit, a real dessert. But also that maybe somewhere around, suddenly little signs sometimes seem to occur, maybe a sign of love, very important to us, or even something else, like suddenly in a glimpse, remember the line of stones in the dessert, we come to look beyond. 

My way of doing, it is not to illustrate God’s working or nature as it is. It is with how to find a way to go, or a possible way out? So that the way it is done, it is with computers, in order to generate pictures one after the other. Technically seen, it can for instance be compared with Warhol’s 24-hour fixed camera, Empire State Building. And then, many years on and again Empire State Building, taken by Washington Post, still in the same fixed camera position and length like Warhol, the first one is a complete dessert, few are those who have seen it from a to z. And the other, with hurricane Katrina coming down, carving its way through, a real suspense. 

Also that, with a little too close look, it looks like a video, whereas with a small step backward, we suddenly see what it is.  

I.e. in a dessert, call it whatever you like, or at least something very long and very boring, say one or two hours normally, sometimes less. I then install but only for the attentive eye, something quite different. Little signs of recognition in the tunnel, spurs in the wasteland, smells in the darkness, above all, it is not to impose myself, or in fact my own presence is not so extremely important, rather than introducing a certain method or indeed way of understanding. 

We all, at least every now and then, live in a dessert. A daily treadmill, things to be done, obligations, income, loneliness, the list is long and you know, even to sometimes getting stuck in the sand. Where by then, very carefully to look around, maybe with little signs here and there in your still own personal landscape, things in you and around, despite, not all of them are good but some of them are. 

The DVD “Sur le Chemin de Prades” it is what I have found, making a short journey into my own little inner landscape, but only an example and nothing else, so that now for you too. 

Go find your own!

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