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Deadlines

December 20, 2018 (extended deadline)
ISEA  papers, panels, posters (ISEA Symposium)

June 22 - 28, 2019
Gwangju, South Korea


December 25, 2018
Symmetry Festival – 2019

ZKM Karlsruhe, Austria
July 24–28, 2019

December 28, 2018
21st International Consciousness Reframed Conference (2019)

June 6-8, 2019
Universidade Católica Portuguesa - Porto
Portugal


December 30th, 2018
Cybiosis: Shaping Human-Technology Futures

Winter symposium on Creativity and Technology (papers only)
March 21-24, 2019
NIDA Art Colony, Lithuania

December 31, 2018
NEW MEDIA ART XYZ

Submissions as Drawings (read call)
publication edited by Garnet Hertz

January 14, 2019
EVA London Conference 2019

proposals for paper, demonstration, combined paper with demonstration, panel session, workshop
July 8 - 11, 2019
London, UK

January 15, 2019
SIGGRAPH 2019 Long Art Papers

July 28 - August 1, 2019
Los Angeles, CA USA

January 21, 2019
Again and Again: Musical Repetition in Aesthetics, Analysis, and Experience
(Papers only)

City University of London - Music Department
Thursday 25 – Friday 26 April, 2019
London, UK

January 29, 2019
SIGGRAPH 2019 Art Gallery

July 28 - August 1, 2019
Los Angeles, CA USA

January 29, 2019
SIGGRAPH 2019 Short Art Papers

July 28 - August 1, 2019
Los Angeles, CA USA

January 31, 2019
xCoAx 2019: 7th International Conference on Computation,Communication, Aesthetics and X

Milan, Italy
July 3-5, 2019

February 5th, 2019, 11:59 PM (UTC)
ACM Creativity and Cognition 2019
(multiple deadlines follow)

June 23-26, 2019
San Diego, CA USA

February 15, 2019, 11:59 PM (UTC)
Global Digital Art Prize
Nanyang Technological University

Singapore

June 1, 2019
"Heron Island" Conference on Computational and Cognitive models of creative design (HI'19)

December 15–18, 2019
Heron Island, Queensland, Australia

DID YOU EVER HAVE WORK IN A SIGGRAPH TRAVELING ART SHOW?

If you still are looking for your TAS work email morie@siggraph.org

Check out the Digital Arts Community's Facebook Group

Check out the DAC FACEBOOK Group!!!
HISTORY HISTORY HISTORY

Make sure to see the (original!!) 1982 SIGGRAPH ART show
Click here!
Much thanks to Copper Giloth for putting this together and sharing!

Forum

Deadlines

Started by Cynthia Beth Rubin in Hot Topics Aug 18. 0 Replies

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Digital Arts Page on the ACM-SIGGRAPH site

ACM SIGGRAPH DAC Description

Mission of the Digital Arts Community Committee

To foster year-round engagement and dialogue within the digital, electronic, computational and media arts. Facilitate dynamic scholarship and creative programming within the ACM SIGGRAPH organization. Promote collaboration between artists and the larger computer graphics and interactive techniques community.

DAC Committee

ACM SIGGRAPH Digital Arts Community Committee:
Victoria Szabo, Chair
Jim Demmers,  Sue Gollifer, Kathy Rae Huffman, John Hyatt, Bonnie Mitchell, Hye Yeon Nam, Derick Ostrenko, Jan Searleman, Ruth West.

Events

After having to stay here with me for more than six months and then working together, also an old friend of Siggraph, Yves Bodson. All technical problems are now sorted out and obstacles particulaly in terms of creativity way behind, or somewhat at the beginning of a much deeper and a much more comprehensive way of working. I.e. finally to have found my own quite personal way of working, including the ability of publishing, on DVDs and not entirely on the Internet, both full scale but also in a full gloom of colors.      

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Comment by Jacki Morie on January 13, 2012 at 7:47pm

A full "gloom" of colors.... hmmmm

Comment by Peter Petersen on December 16, 2011 at 9:24pm

I hope you can spot the problem, with where to squeeze my things in with Siggraph? What category? Whereas, and I now send out a lot of it for Christmas, no problem at all, people just appreciate and that’s all.  

Comment by Peter Petersen on December 16, 2011 at 9:22pm

Immediately, a normal canvas, it is something with four corners and then normally in white. Whereas here, for instance with a DVD, the “corners” are then reduced to only two, beginning and an end. Moreover, whether figurative or non-figurative, where the easiest thing is then to cast an eye on another, or in fact listening? Speech or song, it is still in the same terminology, figurative, i.e. there is a message involved, and then on the other hand, music, it is of course non-figurative. And again, back to what we see and again to point out that “the four corners” here it is only, length. Still, with figurative, it is what we all know as movies, animations, videos and so on, or something we ca see to be something? And then, still according to the same, non-figurative, what is that? It is maybe not a movie or even a video, but most certainly not any kind of animation? 

 

Comment by Peter Petersen on December 16, 2011 at 9:19pm

Explore some borderlines – I said, where in fact the normal way to put it, it is whether to fill the canvas or not? What is immediately to bring myself in to some very deep waters of explanation, because? With a normal canvas, piece of paper or whatever, there is then a distinction between figurative and then on the other hand non-figurative or abstract sort of painting. Normally, with figurative painting, questions of whether to fill the canvas doesn’t occur, because in showing things we immediately recognize as maybe being something, already there is a message. Whereas seen with the so-called non-figurative and it very well tells us what it is, abstract and therefore nothing to be recognized, call it something emotional or maybe a sensation, then immediately questions of  “whether to have filled the canvas or not” it comes in for full?

 

Comment by Peter Petersen on December 16, 2011 at 6:07am

Quite! Although just as easy it is now to publish and to show it nearly all over, including art galleries and so on, just as diffcult it seems now to do it in a Siggraph envionnement? It is nothing particularly new, apart from trying to explore some other borderlines i.e. going to the very end of what it is, what is here one and a half hours, maybe in a different sort of canvas but a canvas still, namely the DVD. And no new technologies, maybe not like in the good old days with the good old brush, then at least no new software and even sometimes hardware, younger than 2008? Also, provided I would like to send you something what I certainly do, to what place do I then have to ship it, a DVD, and when?

Comment by Jacki Morie on December 15, 2011 at 3:33pm

So let us see!

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